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Registration Details, Podcast Episodes, and Updates

Share the Registration and information for the Feb. 6 Future of Music in LA Symposium and other events: 
  • Register for Symposium -- Wed., Feb. 6 -- Future of Music in LA Symposium produced by the City of Los Angeles Dept. of Cultural Affairs, UCLA CMI, The Broad, and Bootleg Theater -- FreeThis event is part of our ongoing 2019 event series on the Future of Music in LA
  • COMPOSE LA -- check out the rest of the COMPOSE LA free events around Los Angeles in February.
  • Register -- Fri., Feb. 8 -- Enjoy the annual UCLA Anderson PULSE Conference, focusing on technology and media.
  • Save the Date -- April 11 -- Future of Music and Tech in LA @ UCLA.  We will be following up with speaking, showcasing, and sponsoring opportunities, so stay tuned. 
Enjoy new Podcast Episodes: If you will be at the annual Digital Entertainment World event, say hello to our Exec. Dir., Dr. Gigi Johnson, who will be on two panels on Tuesday, Feb. 5.

If you would like to speak or be part of these or other upcoming events, or suggest future guests for the podcast, please email us at this link.  


Future of Music in LA - Symposium

A Symposium for the Music Scene of Los Angeles

Hosts: Produced by the City of Los Angeles Dept. of Cultural Affairs, The Broad, Bootleg Theater, and the Center for Music Innovation at UCLA Alpert

Location:  Bootleg Theater, 2220 Beverly Blvd, Los Angeles, CA 90057

Time: 12 noon – 6 pm

Date:  Wednesday, February 6, 2019

Cost: Free for Registered Attendees


2019 marks the rise of Los Angeles as an unprecedented leader in music composition and performance. While streaming music has expanded to 75% of recorded revenue, live music communities are where we explore, live, enjoy, and create.

This symposium pushes the questions of how we can support live and robust music community(s) in Los Angeles that benefits all parties. Other cities are struggling with economics and the health of live music, while some cities are creating massive, city-wide musical support systems to stave off displacement and drive the economy. How can Los Angeles’ music scene(s) be supported and work together to continue to create something robust, diverse, and dynamic in this changing era?

This Symposium is the first of series of events that UCLA Center for Music Innovation is holding with this Future of Music in LA focus across 2019 across LA, so we welcome you to be involved in those programs as well.  Mark your calendars for April 11 for Music and Tech in LA @UCLA.


The Future of Music in Los Angeles Symposium was planned in conjunction with the inaugural presentation of COMPOSE LA 2019 occurring throughout the month of February, 2019. With the theme What is Human, What is Race? as inspiration, the first edition of this festival will surface and address a unique myriad of topical issues as they relate to the future of the City of LA and its thriving music scene. For more information, see below and go to
The City of Los Angeles Department of Cultural Affairs (DCA) is launching Compose LA 2019 as its inaugural platform to showcase LA's leading contemporary composers, innovative music artists, dynamic thought-leaders, and engaging music spaces.  Compose LA 2019 is a collaboration between DCA's Performing Arts Division and the following partners: American Composers Forum of Los Angeles, the University of California Humanities Research Institute at UC Irvine, and the Center for Music Innovation at The UCLA Herb Alpert School of Music.

Symposium Schedule

11:30 am -- Doors Open

12 noon – 1:00 pm

Welcome: Danielle Brazell, General Manager, Department of Cultural Affairs, City of Los Angeles

Special Presentation: The Future City Conni Pallini-Tipton, Senior City Planner Citywide Planning and Policy Division, Department of City Planning

The City of Los Angeles will experience massive changes over the next 20 years. Come hear from City of LA Senior Planning Official, Conni Pallini-Tipton on how the city of LA will be tackling the most difficult issues in the years ahead and its impact on the music and cultural landscape of LA. Using the latest in trends in forecasting and data analysis, you will see how the city is dealing with issues of environment, space, permits, density, aging, housing, growth, noise, diversity and employment. This fascinating presentation will offer insights on how the City of LA is planning for our musical future.

1:00 pm

Symposium Overview: Dr. Gigi Johnson, Executive Director, Center for Music Innovation, UCLA Herb Alpert School of Music

1:15 pm

Provocations: The DNA of New Music in LA

In the spirit of a multi-faceted and diverse Los Angeles, the opening “provocations” will offer six brief interpretations of the varied influences and histories that make up today’s music scene.
  • Josh Kun, Director, Annenberg School for Communication Professor and Chair in Cross-Cultural Communication;
  • Gloria Cheng, Award-winning pianist and recording artist; Adjunct Professor of Performance, UCLA Herb Alpert School;
  • Dexter Story, Musician, composer, music director, producer and Artivist in Residence / Event Producer at Community Coalition of South Los Angeles;
  • Judy Mitoma, President, Foundation for World Arts and Emerita Professor, Department of World Arts and Cultures/Dance, UCLA;
  • Kristen Martinez (Yaqui / Yoeme / Chicanx) M.A. student, UCLA American Indian Studies

2:00 - 2:55 pm

COMPOSE LA ROUNDTABLE: A Candid Conversation about Composing and Music Making in Los Angeles

Making and composing music in Los Angeles is filled with many unique challenges and opportunities, but ultimately LA has emerged as one of the most exciting music cities in the world. Several composers featured in Compose LA 2019 will offer their candid experiences and observations about what it means to be an “LA composer” working in the music scene today.

Moderator: Leigh Ann Hahn, Grand Performance

Featured composers:
  • Andrew Norman
  • Austronautica
  • Bapari
  • Derrick Spiva Jr
  • Howard Ho
  • James H. Leary
  • Juan Pablo Contreras
  • Linafornia
  • Maral Mahmoudi
  • Reena Esmail
3:00 - 3:55 pm

LA Night Time Economies — New Models in Music Programming and Festivals

The models for festival production, venue programming, and music distribution have radically changed over the last 10 years. Los Angeles, in many ways, is leading the way in reinventing the models that make music happen and thrive across our city. This panel will explore the latest trends, technologies, and influences in how music is being programmed and how artists are being supported.

Moderator: Fabian Alsultany, RChain Cooperative

  • Eui-Sung Yi, Director UCLA IDEAS Architecture Lab/The NOW Institute
  • Kristin McElwain, Red Bull Music Academy
  • Devin Landau, Paradigm Talent Agency
  • Ed Patuto, The Broad
  • Eddie Cota, Champion City
  • Bob Santelli, Grammy Museum

4:00 – 4:55 pm

LA is NOW: Music Cities and Music Venues

Los Angeles is now at the forefront of the musical world. The city is filled with music venues, concert halls, festivals, underground spaces, backyard parties, and incubators, and all of them contribute vibrancy to our quality of life. This panel will examine what the City of LA needs to put into place to sustain and grow our music community, and will investigate what other international cities are doing to ensure that music will continue to be an important part of the creative economy.

Moderator: Gigi Johnson, UCLA Center for Music Innovation

  • Ross Gardiner, Black Circle Media, LA Nightlife Alliance
  • Vickie Nauman, Cross Border Works
  • Michael Rogers, Eventbrite Music/Ticketfly
  • Liz Garo, Spaceland Presents/EchoPlex/Stories Books and Cafe
  • Elizabeth Peterson Gower, Founder/CEO, Elizabeth Peterson Inc.
  • Alejandro Cohen, dublab

5 pm - 5:55 pm

Space Control: Conversation with LA’s Incubator Spaces about Surviving in LA

Los Angeles is a land of DIY new music spaces and creative activation, but at the same time, many venues are being lost to gentrification, lack of affordable live/work space, and rampant displacement. This panel will focus on the critical issues facing some of LA’s leading artist-run music spaces, and will offer creative strategies for survival and perseverance.

Moderator: Alison de la Cruz, Japanese American Community & Cultural Center

  • Dwight Trible, The World Stage
  • Julia Meltzer, Clockshop
  • Andrew Young, the wulf.
  • Alicia Adams, Bootleg Theater
  • Betty Avila, Self Help Graphics & Art
  • Addy Gonzales Renteria, 11:11 Creative Collective
  • Rob Simonson, The Echo Society
  • Masato "Maz" Baba, TAIKOPROJECT

* All speakers and events subject to change.
The Future of Music in Los Angeles Symposium was planned in conjunction with Bootleg Theater, The Broad, and the Center for Music Innovation – UCLA Herb Alpert School of Music.
Compose LA is a city-wide new music, new ideas festival planned in conjunction with Department of Cultural Affairs – City of Los Angeles (DCA), American Composers Forum of Los Angeles, University of California Humanities Research Institute, and the Center for Music Innovation – UCLA Herb Alpert School of Music. For information about the full roster of events, go to the DCA website:.

Are there ID or minimum age requirements to enter the event?
No, but there will be a no-host bar where you may be asked for ID.
What are my transportation/parking options for getting to and from the event?
There is ample street parking around the venue. There is also free parking on the church lot across the street at Beverly and Roselake.
What can I bring into the event?
The venue is ADA accessible.
How can I contact the organizer with any questions? or 213.202.5551
What's the refund policy?
All events are free and open to the public. Seating is limited to the capacity of the sites and event times and programs are subject to change. RSVP does not guarantee a seat. Seating is on a first-come, first-served basis.

Other Compose LA Programming


Saturday, February 9, 7:30 pm
Clockshop x Compose LA
Curated by Clockshop Director, Julia Meltzer
Location: Clockshop, 2806 Clearwater Street, Los Angeles, CA 90039
Artist: Nicole Mitchell
Speaker: Josh Kun, Ph.D.
Program: Nicole Mitchell’s Spider Web
Tickets: SOLD OUT

In a new collaborative piece, composer/flutist Nicole Mitchell and scholar/author and MacArthur Genius Fellow Josh Kunwill explore visionary/reflective glitches between 1970s and pre-apocalyptic Southern California in an exploration of race and politics of human life. Fictionally based on Mitchell’s own history moving to Anaheim as a young girl and her experiences with racism in the bright glare of suburban California sunshine. With glimpses into a future climate meltdown through her mother’s communication with the spirit world, the piece uses music and text to explore Mitchell’s family history against the backdrop of OC’s ongoing history of anti-Blackness and the LA region’s ongoing history of black musical radicalism and experimental musical thinking. Mitchell and Kun will share this new, inspired work born out of their shared interests in music as language of social reckoning and social actions. Josh Kun is Director of the Annenberg School of Communication at the University of Southern California, where he is Chair in Cross-Cultural Communication and Professor of Communication, Journalism, and American Studies and Ethnicity.

Monday, February 11, 7:30 pm
Curated by Anna Bulbrook, Founder and Artistic Director, GIRLSCHOOL
Location: Navel, 1611 South Hope Street, Los Angeles, CA 90015
Artist: Maral, Jarina del Marco, and Jasmine Albuquerque
Speaker: SA Smythe, Ph.D.
Program: JELLY
Tickets: Eventbrite

Through a new collaboration between composer Maral and GIRLSCHOOL, JELLY will explore radical self-love using the medium of Jell-O as an avatar for the very strange universal human experience of embodiment. Exploring and transforming the sounds of traditional Iranian music, Los Angeles-based artist Maral has formed a unique vision of club music, one that embraces her heritage and recontextualizes it for a new audience. She is collaborating with creative visionary and interdisciplinary artist Jarina del Marco and choreographer Jasmine Albuquerque on the questions: What does it meant to be embodied? What does “body positivity” mean? What gives a body value? By pushing the limits of the once-celebrated medium of Jell-O, JELLY investigates, dismantles, and laughs at the rigid cultural expectations and false dichotomies that tell us what makes a “good” body, the value we ascribe to “jiggle” and “bounce,” and how we decide what is “cool.” Dr. SA Smythe (they/ them) is a poet, translator, and scholar of Black European Literary & Cultural Studies, Contemporary Mediterranean Studies, and Black Trans Poetics. Smythe’s research is focused on literature and other cultural responses to racism, misogyny, colonialism, and other relational aspects of inequality and oppression between Europe (in particular, Italy), East Africa, and the Mediterranean. They are an assistant professor in the Department of African American Studies at UCLA, currently completing the UC President’s Postdoctoral Fellowship in Anthropology at the University of California, Irvine.

Tuesday, February 12, 7:30 pm
Japanese American Cultural & Community Center x Compose LA
Curated by JACCC Vice President of Programs, Alison De La Cruz
Location: JACCC, Aratani Theatre Black Box, 244 South San Pedro Street, Los Angeles, CA 90012
Artist: Howard Ho with Cold Tofu & Tales of Clamor Creators
Speaker: Akira Mizuta Lippit, Ph.D.
Program: Tales of Clamor “Salon”
Tickets: Eventbrite

Tales of Clamour is a new play centering around two artists (played by Kennedy Kabasares and traci kato-kiriyama) positioned in debate over notions of cultural and institutional silence. As part of the original production design, composer and sound designer Howard Ho has been creating original compositions with found audio from the 1981 Commission on Wartime Relocation and Internment of Civilians (CWRIC) hearings. These hearings were the first time that Japanese Americans broke their silence in 40 years after experiencing WWII mass incarceration of Japanese Americans. Cold Tofu, the nation’s oldest Asian American Improv Group will also share as part of their work with Ho.
Akira Mizuta Lippit is Vice Dean of Faculty in the School of Cinematic Arts
and Professor in the Division of Cinema and Media Studies. His research interests include: Japanese film and culture, critical theory, experimental film, and visual studies.

Wednesday, February 13, 8:00 pm
Red Bull Music Academy and Film Festival x Compose LA
Curated by Alima Lee, Co-Curator of Red Bull Film Festival
Location: Red Bull Festival HQ, Ukrainian Cultural Center, 4315 Melrose Ave., LA, CA 90029
Artists: Bapari and Alima Lee
Speaker: Patrisse Cullors, Ph.D.
Program: Intersectionality
Tickets: Eventbrite

Working on themes of intersectionality, composer Bapari and filmmaker
Alima Lee are collaborating on a new film score that will be informed by the conversation at this Compose LA event. It will be composed and performed “live” with a loose narrative structure and reminiscent of a Deana Lawson portrait with additional inspiration by portraiture and the LA landscape. Bapari (Arielle Baptiste) AKA Sensei Noir is a queer-based femme and Los Angeles-based multigenre producer, DJ, and radio host. Alima Lee is a filmmaker, DJ, and curator. Patrisse Cullors is an artist, organizer, and freedom fighter from
Los Angeles. Cofounder of Black Lives Matter and founder of Dignity and Power Now, she is also a performance artist, popular public speaker, and a
New York Times bestselling author.

Thursday, February 14, 7:30 pm
Hammer Museum x Compose LA
Curated by Hammer Director of Public Programs Claudia Bestor and Benjamin Mitchel, Founder and President of Kaleidoscope
Location: Hammer Museum, 10899 Wilshire Boulevard, Los Angeles, CA 90024
Artist: Kaleidoscope Chamber Orchestra
Program: Ted Hearne – By-By Huey
Sarah Gibson – I prefer living in color
Billy Childs – Unrequited – String Quartet No. 3
Julia Adolphe – White Flag
Juhi Bansal – One Brief Hour
Andrew Norman – The Companion Guide to Rome
Speaker: Shana L. Redmond, Ph.D.
Program: Love Notes
Tickets: Hammer Box Office, 1 hour before the program

To celebrate the different forms that love can take, Kaleidoscope Chamber Orchestra performs an evening featuring some of LA’s most exciting composers in a special Compose LA program called Love Notes. As a “conductorless” ensemble, they select orchestral music that, whether written today or centuries ago, speaks profoundly to our community and is both representative of its time and timeless. Shana L. Redmond is an interdisciplinary scholar of music, race, and politics. Prior to receiving her combined Ph.D. in African American Studies and American Studies from Yale University, Redmond studied Music and African American Studies at Macalester College where she trained as a vocalist. This program is highlighted by Ted Hearn’s By-By Huey, which like Robert Arneson’s painting Bye Bye Huey P. is a portrait of 24-year-old Tyrone “Double R” Robinson, who murdered Black Panther Party cofounder Huey P. Newton in 1989; Sara Gibson’s I prefer living in color, which is her love letter to David Hockney’s Snail’s Pace, a gigantic painted landscape of shapes with a
shifting light installation created to represent Los Angeles’s Mulholland Drive;
Billy Child’s Unrequited, about a relationship never moved to the next level and the tragedy of love unfulfilled; Julia Adophe’s White Flag, a lyrical work featuring two musical ideas developed independently and then merged together at the climax; Juhi Bansal’s One Brief Hour, inspired by Walt Whitman’s One Hour to Madness and Joy; and Andrew Norman’s The Companion Guide to Rome, inspired by the beauty of Roman churches and a year of living in the Eternal City.

Sunday, February 17, 3:00 pm
The World Stage x Compose LA
Curated by The World Stage artistic director and jazz artist
Dwight Trible
Location: The World Stage, Leimert Park, 4321 Degnan Blvd.,
Los Angeles, CA 90008
Artist: James H. Leary, featuring Dwight Trible and the James H. Leary Legacy Ensemble
Speaker: Robin D.G. Kelley, Ph.D.
Program: So Far So Good
Tickets: Eventbrite

“Composer James H. Leary is one of LA’s great geniuses who never got the recognition he deserves, and much of his music has never been performed” as stated by Dwight Trible, artistic director of The World Stage. As part of a very special evening of rarely performed works, Grammy-awardee James H. Leary will use the James Leary Legacy Voices in a special program of original compositions: A Song for My Mother – sung by Dwight Trible which is Leary’s tribute to all mothers; Free Flow Tribute will be the main focus of the program, which will feature many different musicians and vocalists in Leary’s oeuvre, and who will come together for this one-night only Compose LA event. As part of this program, James Leary will play the bass and conduct an accompaniment of piano and drums. Robin D.G. Kelley is a professor of history and American studies and ethnicity at the University of Southern California. One of the youngest tenured professors in a full academic discipline – at the age of 32 – Kelley has spent most of his career exploring American and African-American history with a particular emphasis on African-American musical culture, including jazz and hip-hop.

Tuesday, February 19, 7:30 pm
Spaceland Presents x Compose LA
Curated by Liz Garo, Talent Buyer Spaceland Presents
Location: Tangier Room, Hotel Figueroa in DTLA, 939 S Figueroa St., Los Angeles, CA 90015
Artists: Heather McIntosh, George Sarah, Arthur King, Linafornia, and Astronautica
Speaker: Terence Keel, Ph.D.
Program: Selected Works
Tickets: Eventbrite

Featuring a roster of LA-based musicians that are both composers and musicians who will explore what it means to be human through their touch mixed with electronics. They ask the question: Are pre-programmed sampled strings that can be manipulated to perfection the idea of being human or is it more human strumming, bowing, plucking their traditional instruments? This evening will intersect the mix of being human / machine / layered vocals / field recordings and performing. George Sarah has made a name for himself since 1985 by successfully combining two very different genres of music; classical and electronica creating a conscious, haunting quality popular among the youth oriented electronica crowd. Heather McIntosh started her musical career playing with the bands of The Elephant 6 Collective, Gnarls Barkley, and Lil Wayne. Following her touring days, she has been regularly composing music for film and television since 2011. Leimert Park native Linafornia easily has one of the best stories to come out of LA. She’s taken over the decks at Low End Theory, LA’s famed experimental club night and scored back-to-back first place finishes at the prestigious Beat Cinema Beat Battle. Astronautica is Edrina Martinez, a singer/songwriter and electronic producer whose music captures the eclectic nature of LA’s experimental beat scene and its connections to different cultures around the globe. The LA native brings a playful sense of exploration to her sound, creating a unique style of lush electronica with elements of hip hop, indie, R&B, and EDM. Arthur King is an experimental music and visual art collective seeking to engage the known and unknown inherent in creative expression. The group is comprised of a myriad of musicians, visual artists, and filmmakers that record albums, compose music, create installations, and more. Terence Keel is a historian, scholar of religion, and critical race theorist who earned his Ph.D. from Harvard University. He has written widely about the history of racism and its connections to science, religion, politics, and modern life. Keel’s first book, Divine Variations, published by Stanford University Press, documents the intellectual legacy shared between modern scientific racism and religion in Europe and America. Keel has come to UCLA as an Associate Professor with a joint appointment in the UCLA Institute for Society and Genetics, and the Department of African American Studies.

Friday, February 22, 8:00 pm
the wulf. & Coaxial x Compose LA
Curated by the wulf. board member Casey Anderson
Location: Coaxial Arts Foundation, 1915 South Main Street,
Los Angeles, CA 90016
Artist: Liam Mooney
Speaker: Ackbar Abbas, Ph.D.
Program: Liam Mooney’s Flatland
Tickets: Eventbrite

Liam Mooney’s Flatland (2019) is a work loosely patterned after Edwin Abbott’s novella, Flatland: A Romance of Many Dimensions. Abbott’s examination of humanity—and the natural and constructed categories contained therein—still seems to have the sting of relevance, and the listener might not find it at all difficult to connect Abbott’s observations to features of present-day societies. Mooney’s work takes a sound-driven investigation of materiality as a jumping off point, often repurposing everyday objects to ends both cartoonishly-distorted and beautiful: drumheads are activated by a series of vacuum cleaners; Styrofoam coolers are bowed with large dowels, covered in rosin, until they disintegrate; etc. Mooney’s ability to arrange focused compositional forms around each re-presentation results in utterly unique sound experiences. An aficionado of fakes, Ackbar Abbas is the author of some of the most influential texts on Hong Kong culture and literature, and on culture, literature, film, art, architecture, and critical theory more generally. A professor of comparative literature and film at the University of California, Irvine, Abbas was born, raised, and—as he puts it—corrupted in Hong Kong. He insists on thinking with whatever is at hand, materially and ideationally, on finding the deeply revealing in the obvious, significance amidst desolation, possibility in vulnerability, a map of culture in the design it authorizes.

Monday, February 25, 8:00 pm
American Composers Forum of Los Angeles x Kensington Presents x
Salastina x Compose LA
Curated by Steven Homestead-Director of American Composer Forum of Los Angeles; Scott Bauer, Mathieu Young, Micah Greenberg-Artistic Directors of Kensington Presents, and Salastina Artistic Director, Maia Jasper White
Artists: Bridge to Everywhere, Salastina, Juan Pablo Contreras,
Reena Esmail, and Derrick Spiva Jr
Location: The York Manor, 4908 York Blvd., Los Angeles, CA 90042
Speakers: Derrick Spiva Jr and Katherine In-Young Lee, Ph.D.
Program: Derrick Spiva Jr’s Bridge to Everywhere performs the work
of Juan Pablo Contrera, Reena Esmail, and Derrick Spiva Jr.; Salastina performs the music of Derrick Spiva Jr.
Tickets: Eventbrite

The special evening is the work of several artistic collaborators. It features two of LA’s leading new music performance groups, Bridge to Everywhere and Salastina, focusing on the works of Derrick Spiva Jr. The first part of the program features Spiva’s masterwork, the gorgeous and profound American Mirror. Written for Salastina, it features Spiva’s signature style of integrating musical practices from different cultural traditions around the world. The second part of the evening features Bridge to Everywhere, performing works by composers Reena Esmail and Juan Pablo Contreras. Katherine In-Young Lee is an Assistant Professor of Ethnomusicology at the UCLA Herb Alpert School of Music.

Tuesday, February 26, 7:00 pm
Notes of Worth: A conversation and performance with Street Symphony
Artists and collaborators: Reena Esmail, Benjamin Shirley, Vijay Gupta, Host Madeleine Brand, Street Symphony Quartet
Location: The Annenberg Performance Studio Space at KCRW,
KCRW Media Center, 1660 Stewart Street, Santa Monica, CA 90404
Speaker: Catherine Gudis, Ph.D.
Program: Social Justice in Four Movements
Hallelujah – Leonard Cohen, performed by Vijay Gupta on violin
String Quartet Op. 41 No. 1, movement 3 – Robert Schumann
Dawn’s Final Thoughts – Benjamin J. Shirley
Take What You Need – Reena Esmail
Tickets: Eventbrite

KCRW will host a unique Compose LA that combines conversation and performance with Street Symphony. Street Symphony was founded by musician and MacArthur Genius Fellow Vijay Gupta as a place to create powerful engagements between professional and emerging artists and communities disenfranchised by homelessness and incarceration in Los Angeles County. Hosted by KCRW’s Madeleine Brand, the conversation/performance will feature powerful works of four diverse composers, and most notably Benjamin Shirley, who spent two years on skid row and was Street Symphony’s first composer-in-residence and Reena Esmail, the current composer-in-residence. Each work has a unique relationship to the Street Symphony and addresses the human condition. Catherine Gudis is the Associate Professor of History and Director of UC Riverside’s Public History Program. She has worked for over twenty years with art and history museums, in historic preservation, and on multi-platform, place-based projects that focus on Southern California and explore how public space is privatized, landscapes racialized, and inequalities of access amplified.

Wednesday, February 27, 7:30 pm
Self Help Graphics & Art x Compose LA
Curated by Betty Avila and Miranda Ynez, Artistic Directors
Location: Self Help Graphics, 1300 East First Street, Los Angeles, CA 90033
Artist: Quetzal Flores
Speaker: Gaye Theresa Johnson, Ph.D.
Program: Selected works
Tickets: Eventbrite

Queztal is one of LA’s leading bi-lingual bands based in East Los Angeles comprised of highly talented musicians who joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. The band was founded by Grammy Award-winning composer
Quetzal Flores, Director of Arts and Culture for East LA Community Corporation, with the intention of pushing the boundaries of Chicano music. Self Help Graphics & Art is proud to present this special Compose LA event that will be a multimedia, participatory experience that includes a collective songwriting exercise and an exhibition of SHG serigraphs curated by Quetzal and UCLA professor and author Gaye Theresa Johnson. Their dialogue will unpack the ways music and visual art address issues of race, space, and inequity in communities of color. The audience, which we anticipate will include participants from the Eastside and all over Los Angeles, will compose a musical piece using a pedagogy created by Martha Gonzalez with Quetzal. Flores’ practice portrays how music, culture, and social activism combine to build community and music in settings varying from intimate audiences to corporate team structures. Gaye Theresa Johnson is Associate Professor of Chicana and Chicano Studies and African American Studies at UCLA. She writes and teaches about race, freedom struggles, cultural history, spatial politics, and political economy. Her first book, Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles (University of California Press) is a history of civil rights and spatial struggles among Brown and Black freedom seekers and cultural workers in LA.

Enjoy our podcast with Seth Schachner, who shared his digital journeys of the past and how they affect his deal-making in the present for new digital media.  

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Enjoy our conversation with Russ Gardiner about the grassroots movement known as the Los Angeles Nightlife Alliance and its forming over the past year in the model of Berlin, Amsterdam, London, and New York models.


The UCLA Anderson PULSE Entertainment, Sports & Technology Conference

Friday, Feb. 8, 2019 @ UCLA Anderson


Now in its tenth year, The UCLA Anderson PULSE Entertainment, Sports & Technology conference brings together leading executives to share insights and perspective on the current trends, opportunities and challenges impacting the entertainment, sports, technology industries. This year's theme will be the Age of Personalization: we will explore the shift from the age of convenience (mobile, digital, wireless, streaming, etc.) to the age of personalization (subscription services & unbundling, social media, hypertargeting). In an environment where consumers curate their own entertainment experiences, and increasingly rely on search, recommendation engines and e-commerce platforms when selecting products and services, how do consumers discover new entertainment experiences and brands? And, how do content creators and brands engage consumers and deliver the experiences they crave?

Please watch for future emails, and check on our adventures via our website (, Facebook, and Twitter. 

Contact us with questions or ideas for programs with your organization. 

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